Len Pennie, a 21-year-old Fife student is making waves in Scotland with her poem, In Memorium. The poem honors Scots women who were persecuted for witchcraft between 1563 and 1736.
The poem was commissioned by the Witches of Scotland campaign who have lodged a petition with the Scottish Parliament seeking to secure a pardon, apology, and national memorial for the nearly 4,000 Scots accused, convicted, and executed for practicing witchcraft. Their petition states: “As with elsewhere in Europe, the vast majority of those accused, some 85 percent were women.”
Pennie describes the treatment of accused witches as “state-sanctioned murder” and pledges to “demand justice” for those who were tortured and tried under the Witchcraft Act, branding it “a punishment lacking a crime.” Continue reading →
Writing, it’s said, is a lonely profession. Images of writers sequestering themselves away for the purpose of finishing their novel abound. Some novelist are so overconfident, they believe they don’t need help. Others avoid seeking help, paralyzed by the secret fear that their writing simply isn’t good enough. But, behind every successful author is a slew of people who have left their mark on the manuscript.
Self-publishers, eager to see their books in print, often ignore the undervalued topics of manuscript evaluation, revision, and editing, instead focusing their attention on buying ISBNs, contracting print-on-demand services, and marketing. They do this at their peril. These are the essential steps that makes a manuscript worth reading. Flawed plot lines and inadequate character development are impossible to salvage after the book is published. To catch (and resolve) problematic aspects early in the writing process, the manuscript must be read by others, starting with its earliest draft forms. Continue reading →